For decades, visitors to Lisbon have looked across the Tagus River and seen a monumental figure of Christ with arms outstretched standing on the Almada cliffs. At the same time across the Atlantic, visitors to Rio de Janeiro had been gazing up at Christ the Redeemer, the world-famous landmark on Corcovado Mountain. Have you ever wondered which came first? I started wondering myself when a Lisbon taxi driver asked me this question and his answer made me think more about the history of the links between Lisbon and Rio de Janeiro and how the Christ the Redeemer statue came to be. The driver told me that Lisbon’s Christ the Redeemer came first. Was this correct?
Let’s dive into ten surprising facts that compare the Cristo Rei of Lisbon with Rio’s Christ the Redeemer. You’ll come away with new insight into how these two monuments, separated by an ocean, mirror and contrast each other and finally get the answer to the question. Which came first?
1. Rio’s Christ the Redeemer is taller.
If you only look at the figures themselves, Rio wins. Christ the Redeemer is 30 meters tall, while Lisbon’s Cristo Rei is about 28 meters. But when you include pedestals, Lisbon towers over Rio. Cristo Rei’s pedestal rises more than 80 meters, giving the monument a total height of about 110 meters. Rio’s pedestal is only 8 meters tall, making its total 38 meters. From the water, Lisbon’s statue commands the skyline in a way that rivals the dramatic mountaintop presence of Rio’s version.
2. The statues have the same arm span.
Both statues stretch their arms to a width of 28 meters from fingertip to fingertip. This shared measurement is one of the most striking coincidences between the two. It gives each monument a sense of proportion, balance, and openness. It doesn’t matter whether you’re high above Guanabara Bay or overlooking the Tagus, both Christ statues appear to embrace their cities with the same reach.

3. They are made of the same material but have different outer layers.
The surfaces of the statues tell different stories about their engineering. Rio’s Christ the Redeemer is made of reinforced concrete but covered with thousands of small soapstone tiles. This outer shell gives the figure its soft, pale gray texture and helps protect it from the tropical climate. Lisbon’s Cristo Rei is also reinforced concrete but doesn’t have the soapstone finish. Instead, it rises in a clean, modernist style with Christ perched on top of a soaring four-arched pedestal that resembles a monumental gate.
4. The funding of Lisbon’s Cristo Rei had a deep meaning to its people.
For Portugal, the building of Cristo Rei was a collective act of devotion. During World War II, Portugal remained neutral, and church leaders promised to build a monument if the country was spared from the destruction overtaking much of Europe. To finance the project, the church gathered donations from across Portugal. Small contributions from communities and parishes added up and transformed Cristo Rei into a symbol of gratitude as much as a statue of faith.

5. Lisbon and Rio used different teams of creators for their two respective statues.
The two statues involved entirely different sets of creators. Rio’s monument was designed by Brazilian engineer Heitor da Silva Costa with French engineer Albert Caquot handling structural calculations. The French sculptor Paul Landowski oversaw the figure, and the Romanian artist Gheorghe Leonida is credited with sculpting the face. Lisbon’s Cristo Rei, on the other hand, was a Portuguese project. The pedestal was designed by architect António Lino, and the figure of Christ was sculpted by Francisco Franco de Sousa. So, while Rio’s Christ the Redeemer was an international collaboration, Lisbon’s Cristo Rei was created by a Portuguese team.
6. The chosen location of the two respective statues creates two very different experiences.
Part of what makes these statues so powerful is where they stand. Christ the Redeemer sits atop Corcovado Mountain, about 700 meters above sea level, within Tijuca National Park. The views encompass the iconic sweep of Guanabara Bay, Sugarloaf Mountain, and the city’s beaches. It is almost like looking down on heaven itself.
Cristo Rei occupies the opposite side of Lisbon’s Tagus River aligned with the 25 de Abril Bridge, which was given a new name after the Carnation Revolution in 1974. It is not on a mountain, but its pedestal on Almada’s cliffs makes it appear to float above the skyline gazing back at Lisbon. Both locations transform the monuments into natural observation points of two breathtaking cities as much as symbols of faith.

7. Lisbon made Cristo Rei’s pedestal a big part of the experience.
In Rio, the focus is squarely on the statue itself, with its small pedestal blending into the mountain’s peak. Lisbon’s Cristo Rei, by contrast, is as much about the pedestal as the figure. The four-arched structure rises dramatically, with a chapel at its base and elevators that carry visitors to a viewing platform nearly 80 meters above the ground. This deck gives sweeping views over Lisbon, the Tagus estuary, and the Atlantic in the distance. For many visitors, the pedestal experience is as memorable as seeing the statue itself.

8. Only Rio is among the New Seven Wonders.
In 2007, Christ the Redeemer was named one of the New Seven Wonders of the World, which included landmarks such as the Great Wall of China and Machu Picchu. This cemented its status as one of the planet’s most recognized monuments. Cristo Rei is beloved in Portugal and draws pilgrims and tourists alike, but it has never had the same global recognition. However, the Portuguese keep it very close to their hearts, and it is one of Portugal’s most important religious and cultural symbols.
9. Lisbon’s Cristo Rei owes its existence to Rio.
Now, we ‘re getting to the answer that we posed at the beginning: which came first? Crist the Redeemer in Rio de Janeiro or Lisbon? Lisbon’s Cristo Rei is actually the younger statue and was directly inspired by Christ the Redeemer. In 1934, the Cardinal Patriarch of Lisbon visited Rio de Janeiro and was so struck by the monument’s presence that he began advocating for a Portuguese equivalent. By 1940, Portugal’s Catholic Church had officially approved a plan to build a national monument dedicated to Christ. As we mentioned earlier, the project became both an act of admiration and a symbolic plea for peace during World War II. The idea waited in the wings for years before construction began in earnest after 1949, which culminated in the 1959 inauguration.
10. Both statues have now been standing for more than 60 years.
Christ the Redeemer’s story in Rio de Janeiro runs from the 1920s through its dedication in October 1931. It was the culmination of nearly a decade of planning and fundraising. Cristo Rei’s story stretched much longer. Inspired in 1934, officially approved in 1940, and built through the late 1940s and 1950s, it finally opened on May 17, 1959. Rio’s statue reflects a Brazil asserting its modern identity in the early 20th century. Lisbon’s reflects a Portugal looking for divine protection during turbulent times and eventually fulfilling a decades-old promise.
The Verdict
So, now we know that Christ the Redeemer in Rio came first in 1931 (and I need to find my taxi driver and let him know). Which is taller overall? Cristo Rei in Lisbon. Which is more famous on an international scale? Rio.
When you look up at Christ the Redeemer in Rio, you feel the immensity of Christ’s embrace over one of the world’s most spectacular landscapes. When you see Cristo Rei in Lisbon, you feel that the monument is a watchful protector gazing back over the city, watching the boats pass through the Tagus and the cars ride over the 25 de Abril Bridge.
Both are worth visiting. Both are unforgettable. We encourage you to visit them!
